In the 100 pages of first chapter of Umberto Eco new book From the tree to the labyrinth (Dall’albero al labirinto. Studi storici sul segno e l’interpretazione, Bompiani, nov 2007), Eco writes about semiotic dictionary and encyclopaedia and discusses – trough diagram and charts – the problem of definition and classification. I found it very thought-provoking and it remember me the Nietzsche quote that I tell to my students when I want to point out they have to incorporate indeterminacy when working as designers:

I was just hanging around in a library close to my office and I bought George Perec’s Species of Spaces and Other Pieces. While my friend was driving us back home I started to read it out, and that book became our map of a different city, a bright inspiration for the debate about space and urban planning. Try the experiment:

Christian Nold thinks we should pay more attention to how… more

Icona, Indice e Simbolo non sono solo “tre tipi di segni”. Sono innanzitutto tre modalità semiosiche. La semiosi, il passaggio dall’Oggetto Dinamico alla Rappresentazione segnica, e da qui all’Interpretante, è un processo (ad esempio di trasformazione, di traduzione, di correlazione e di stabilizzazione delle correlazioni, ecc.) e tale processo è appunto caratterizzato da tre modalità:

A set of graphic visualizzation about the movie Memento by Christopher Nolan (2000).
The film’s events unfold in two separate, alternating narratives—one in color, and the other in black and white. Leonard’s investigation is depicted in five-minute color sequences that are in reverse chronological order. As each scene begins, Leonard has just lost his recent memories, leaving him unaware of where he is or what he was doing. The scene ends just after its events fade from his memory. The black and white sections are told in chronological order, showing Leonard conversing with an anonymous phone caller in a motel room. By the film’s end, the two narratives converge into a single color sequence.

The graphic design can be much better, but this talk… more

Combloux, originally uploaded by densitydesign.

A visual artifact from 1928. A picture catched in a restaurant: even eating typical food the Density eye is always looking for complexity! Quite similar (in the approach) to some of the new maps of our Density laboratory course (i.e. Cinema, Media and Hospitals).

After four years, the time is ripe to reveal the… more

RESHAPING COMMUNICATION DESIGN TOOLS
During the last thirty years the level of interest in Complexity Science has been constantly increasing. Combining the opportunity offered by the findings of the Complexity Science with the framework of the multi-disciplinary debate on the meaning and use of diagrams, we propose a design methodology to help designers support their interventions in complex environments.