We are glad to announce“Visual explorations”, two courses of three and four weeks aimed at students, visual communication professionals, journalists, and any others interested in learning about and experimenting with visual tools and methodologies to help different users understand and make sense of data and information.

The quantity and the complexity of data and digital information produced from science, media, the world of economics, and individual activity on the Web has grown exponentially. However, amid a situation of abundance and richness, the opposite is also true, and the ability to extract value and enable the construction of meaning appears to be poor. People need and have the desire to access, understand, and use this huge quantity of information in an effective way, and explicitly need skills concerning both the construction of a visual representation of complex data, as the direct contact with the data: its extraction, manipulation, organization and communication.

DATA VISUALIZATION IN THE TIME OF DIGITAL MEDIA

The first course of “Visual Explorations” has the aim of providing students the skills to approach the visualization process critically and consciously, from the study of visual models to the design of cross-media applications.

DIGITAL METHODS AND DATA VISUALIZATION

The second course has the aim of developing the skill of (re)building a story; digging into and inquiring information from digital sources, such as on-line social networks; and visualizing the results. The two courses are linked by a common thread, a common approach to visualization as a cognitive tool, involved in the active construction of knowledge, triggering the engagement, making comprehension easier, and supporting users’ decisions.

For more informations visit the website: visualexplorations.org

Three years ago (almost), I discovered an interesting comment about the Places and Spaces: Mapping Science exhibition (2006 edition), curated  by Katy Börner (Indiana University, Director of the InfoVis Lab), and I found particularly interesting the quotation of John Thackara (author of In the Bubble: Designing for a complex world. 2005. Cambridge, MA: MIT Press), talking about Macroscopes. In fact that metaphor is, in my opinion quite compelling if you want to talk about the quest for the ‘big picture’ (that actually is often our aim at DensityDesign).

So I investigated a bit and I found a previous book by our colleague (and friend of Thackara) Ezio Manzini (1989. The Materials of Invention: Materials and Design. Cambridge, MA: The MIT Press) where the concept of the macroscope is used: «The quality of the mental image, which is the point of departure for the problem setting, and the overall map of the possible, whence one can progressively derive more detailed maps upon which to trace the path of the problem solving, originate with the macroscope», and finally I went back to the book of Joël de Rosnay (…), where the author hope for new tools to face the complexity of the world: «Microscope, telescope: these words evoke the great scientific penetrations of the infinitely small and the infinitely great […] Today we are confronted with another infinite: the infinitely complex. We are confounded by the number and variety of elements, of relationships, of interactions and combinations on which the functions of large systems depend. We are only the cells, or the cogs; we are put off by the interdependence and the dynamism of the systems, which transform them at the very moment we study them. We must be able to understand them better in order to guide them better. […] Now a new tool is needed by all those who would try to understand and direct effectively their action in this world, whether they are responsible for major decisions in politics, in science, and in industry or are ordinary people as we are. I shall call this instrument the macroscope (from macro, great, and skopein, to observe).»

Then we start using the idea of macroscope in our presentations (TEDx Italy 2009 – 11:00 – and Better Software 2010) and in some of our papers (itAIS 2010).

Now is quite interesting and even more motivating to see on one of the very recent paper from Katy Börner (2011. Plug-and-Play Macroscopes. Communications of the ACM. Vol. 54(3), 60-69, ACM Press) the concept and the metaphor of macroscope taken (again) into consideration!

Here in Boston, we participated at the Art and Humanities Complex Networks satellite conference at the Northeastern University. We had the amazing opportunity to present the Map of the Future and to share with this remarkable audience the experience of creating a narrative approach for understanding complex systems. We got a lot of feedbacks and we discussed about the future of data and information visualization. It was a great day. We saw very interesting projects presented by other speakers, Fernanda Viégas and Martin Wattenberg, Michael Schober, Ward Shelley, David Crandall, Martin Warnke and Carmen Wedemeyer, Jane Prophet just to named some; we met Isabel Meirelles again after Siggraph09, we shared enthusiasm for visualization and humanities with Hyperstudio Executive Director Kurt Fendt, we finally met Noah Iliinsky in person after long time digital correspondence.

We want to thanks all the organizers in particular Maximilian Schich and all the people we had the pleasure to talk with.

Here the slides of the presentation.

http://web.media.mit.edu/~dietmar/MappingContext/

“We usually consider space as being structured by absolute units. A meter is considered to have a constant length regardless of its position in space. However, in our daily life we often use units that are relative in nature: we measure space in minutes, costs or memories.

Wegzeit is a project about Los Angeles and how it is transformed when brought to relative space. Asking someone in L.A. about the distance between two locations usually prompts a response in minutes. It seems paradoxical that people rely on subjective parameters for their spatial decisions in a city with a largely regular, cartesian layout. But especially here, where the influences of physical space are leveled by this regularity, the importance of subjective, relative spaces become visible more strongly.
The project consists of six dynamic virtual environments that propose models of how to visualize three-dimensional relative spaces. They deal with certain properties and effects caused by the nature of relative space such as the asymmetry of temporal distances.”

http://www.theafghanconflict.de/

Last November Density Design has been invited by the School of Art and Architecture of Stockholm to organize a workshop of data visualization with the student of a master. They were working on the same topic, the city of Pune in India, trying to understand how to visualize some data about the city.

Students had different background studies, none of them was a graphic designer, mostly architects and artists, so data visualization was a challenge for them all.

Groups had different themes to work on about Pune, different questions to be answered “graphically”:
- How the city of Pune is Green? analyzing the environmental changes of the city,
- How accessible is Pune? exploring the ways of transportation from/to Pune,
- How the IT technology affects the life of the citizens? showing why Pune is the IT Capital of India,
- What is growing in Pune? trying to understand how urban landscape is changing through the city-expansion.

During our week in Stockholm we had some design talks with the students, trying to understand the graphic issues linked with their data about the city of Pune. They had a week to produce a poster, so it has been a nice challenge for everybody. All groups produced very interesting visualizations, if we consider that they had no experience with graphic languages, and especially with information design.

The listener (in fables or music) or the observer (in cinema and theater) plays a fundamental role in the narration process. The narrator evokes whereas the observer interprets through his imaginary. The more qualitative is the narrator evocation, the more the observer becomes co-author of the story.

In the visualization of complex networks, the designer should use a narrative mode of though, giving to the audience a good story more than a sound argument. As the movie director, the designer aim to choose the visualization that more preserves the complexity of the environment. As a result he takes a political stance: he directs actors (the elements of a system), he decides the light design (the choice of the elements to visualize), the set designs (the imagery to evoke), the different optical lens (the power of focusing) and most important, the critical point of view of the camera (intentionality).

We will present our research in the visualization of complex systems. The paper “Tell them anything but the truth: they will find their own. How we visualize the map of the future with respect to the audience of our story” focuses on the emerging need for a narrative approach for the understanding of complex networks. We consider narrations as tools with the paramount function of myths <to find a shape, a form, in the turmoil of human experience>.

We are proud to present it at the Arts | Humanities | Complex Networks — a Leonardo satellite symposium at NetSci 2010 taking place at BarabásiLab — Center for Complex Network Research, Northeastern University in Boston, MA, on Monday, May 10, 2010.

See you there!

This is a map of Europe as you’ve never seen it. It shows how people in the 27 EU states perceive the impact of the internet and mobile phones on their lives – and then contrasts this with their actual penetration in each country. We wanted to explore new ways to visualize such complex data. So we worked with a statistics team, under Marco Fattore, to crunch data from a 2008 Eurobarometer survey of 27,000 people. The result is this contour map, which makes use of the isobars of traditional cartography. Each panel above refers to a specific question in the survey. The higher a country, the more its citizens say the technology matters. The cartogram shows the tech’s actual penetration. A high penetration of technology doesn’t mean people see a real benefit in using it, the way we see the world is changing as more data is available. We wanted to show a new way to look at geography as Europe’s landscape gets reshaped.

THE EUROBAROMETER SURVEY LAST SEPTEMBER ASKED 27,000 EUROPEANS THESE QUESTIONS: (Numbers relate to the panels on the main map):

1 Has the internet improved how you do your job?
2 Has using a mobile phone helped in your work?
3 Has the internet made you more informed about current issues?
4 Has using a mobile phone helped you to be more informed?
5 Has the internet improved your opportunity to share views/access culture?
6 Have mobile phones helped you to share ideas and content such as photos with others?
7 Has the internet improved how you pursue your hobbies?
8 Have mobile phones helped you better manage your leisure time?
9 Has the internet improved your relationships with family and friends?
10 Have mobile phones helped you keep in contact with family and friends?

“Penetration” is calculated from the percentages of households and businesses with broadband access; and the percentage of households with access to the internet via PC, digital TV and mobile device.

Credits

Paolo Ciuccarelli (Scientific Responsible)
Marco Fattore (Assistant Professor, Faculty of Statistics – data analysis)
Donato Ricci (creative direction Project Coordination)
Michele Mauri, Giorgio Caviglia (coding)
Luca Masud (art direction)
Lorenzo Fernandez, Mario Porpora (designer)

Complexity is a journey to infinity, and beyond! (© 1995, Buzz Lightyear) therefore the story we decided to tell in Como begins from the universe, and goes through the stars and planets, down to Density-Earth, a great place where statistics become information aesthetics, visualizations reveal ‘big pictures’ and potatoes are in fact big problems to solve.
What?!
Seriously, it’s easier if you look at the presentation up here and read the story we’re glad to spread.

If you’d like to watch the official video recording of the evening (and you understand italian), play it below.
For the english-subtitled version, check it out in the next few days.

like making a movie building this perfomances took hundreds (mmm just some to be honest) smart collaborators:
Screenplay – Paolo ciuccarelli
Additional screenplay – Donato Ricci
Concept – Michele Graffieti
Drawings – Michele Graffieti, Mario Porpora
Storyboard Artist – Michele Graffieti
Animation - Michele Graffieti, Mario Porpora
Coordinator – Mario Porpora, Donato Ricci
Flashman – Mario Porpora
Title Designer - Michele Graffieti
Text editing - Eileen Bernardi, Lorenzo Fernandez
Catering – Giorgio Caviglia, Michele Graffieti, Mario Porpora

What challenges are we going to face in the next 10 years? And what kind of ideas are going to help us in overcoming them?
Even though predicting the future is not a game, a game is exactly what the Institute for the Future used to answer these dilemmas: 8 October 2008, Jane McGonigal, reasearcher at IFTF launched Superstruct (Su` per`struct ‘vt 1.To build over or upon another structure; to erect upon a foundation) , a massively multiplayer online role playing game (MMORPG) that outlined the world of the future, thanks to the ideas and the collaboration of hundreds of users.

After six weeks the game came to its conclusion: Hundreds of ideas, superstructures for our future, guidelines to redefine the world of today and to improve and prepare it for the challenges of the next decade: From big new infrastructure projects to nanotechnology, from overcoming economies of scale to projects of “vertical farming”.

The final report of this first stage of the game was used for the design of our map: The editor in chief of Wired Italia, Riccardo Luna, asked us to visualize the complex net of ideas and assumptions that game’s users produced.

“The goal of the project is to engage a broad public in considering the dilemmas we face in our current, everyday lives and think together about resolutions that go beyond the familiar ways of dealing with problems”

Jane Mc Gonigal, Superstruct game designer

The research for alternative solutions – hence going beyond the more familiar approaches – also requires an alternative visualization.

A map for the future

We began analyzing the keywords provided by IFTF, at the base of which there are 7 key ideas: they are the guiding strategies for the creation of each new “superstructure”, and like satellites they revolve around our future world. They are:

Amplified optimism
Scale extreme
Adaptive emotion
Simulation as game
Evolvability
Collaboration environment
Reverse shortage

Under these, the verbal level, connecting words and concepts that make up the network of superstructures, divided into 5 macrocategories – policy, infrastructure, environment, economy and society- which in turn can operate in three areas:

Networks and individuals
Tools and knowledge
Practices and projects

The map is designed to overlap a semantic level (the network of keywords and groups of ideas) to the allegorical plan of the illustration. Each concept presented in the first level has been reconstructed through an illustration in the second one: the result is a collage drawing influences from the imaginary of the fifties. In this way mapping the future becomes an illustrated game where retro-futuristic imagery references are linked with words and concepts that foresee our future.

From left to right are presented the macro-categories formed by the supersturctures, from the most abstract, like policy and infrastructure, to those which concern more closely in the everyday lives, like economy and society. Amid the environment as a meeting point between abstract and current, with new ideas about global geoengineering and translocalism.

Even for the composition of the collage we want to keep the same sense of reading to level the narration of the world to come: indeed on the left the illustration starts with the abstraction of the map, then move gradually through info-graphics and illustration until reaching collage and photo on the right.

The map, thanks to the layer of allegorical illustrations, not only wants to disseminate the ideas generated during the project ‘Superstruct’ but also provide a starting point, a common imaginary, to start discussion and analysis on the world to come.

In this spirit, the meeting in Rome “A map for the next ten years,” within the cycle of meetings CapitaleDigitale organized by Wired, founding Rome Europe and Telecom Italy, has fully exploited the possibilities of this tool engaging in an interesting discussion on future developments of technology.

Involved in this project:
Creative Direction, Donato Ricci; Concept development, Gaia Scagnetti; Visualizer, Mario Porpora; Artist, Michele Graffieti; Designer, Luca Masud.

Flickr
High res version ‘We will be here’
High res sketch ‘We will be here’